Criticism
Review, "The Quiet Sublime of Steve McQueen" |
Hyperallergic, 14 November 2024 |
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Critic's Guides, "The Best Shows to See in Hong Kong" (Asia Art Archive, Wucius Wong, Trevor Yeung, Jeff Koons, Magdalen Wong) |
Frieze 242, April 2024. Web. |
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Review, "Kwan Sheung Chi Pinpoints Paranoia" |
Frieze 240, January/February 2024. Web. |
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Press release, relics: S*an D. Henry-Smith, Reina Sugihara |
47 Canal, June 2023. |
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"Henry Shum’s Atmospheric Oil Paintings Glow With A Mysterious Inner Light" |
Art in America, Summer 2023. Print. |
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Review, "Alfabeto Soup: Jannis Kounellis" |
The Financial Times, 7-8 January 2023. Print. |
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Review, "Why Does Art History Love the Monochrome?" |
Frieze 233, March 2023. Print. |
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Review, "FRONT International Is All Climax and Scant Resolution" |
Frieze 230, October 2022. Print. |
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Review, Rebecca Morris: #29 |
ArtReview vol. 74 no. 4, May 2022 |
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2022 United States Artists Architecture & Design Fellows |
Metropolis, 4 March 2022 |
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Review: Godzilla: Asian American Arts Network 1990-2001 |
ArtAsiaPacific 127, March/April 2022. Print. |
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Review, "Mari Eastman Paints Intuitive Moments" |
Frieze 225, March 2022. Print. |
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Review, "Mike Lopez Shares His Own Thrills and Doubts on Being an Artist" |
Frieze 224, January/February 2022. Print. |
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Review, Michiko Itatani: Personal Codes: Virtual Cube in the Kitchen |
ArtAsiaPacific, 18 October 2021 |
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Review, "Blue in Green: Brook Hsu at Manual Arts" |
ArtAsiaPacific, 19 April 2021 |
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Review, "The Absurdly Poignant Poems of Sun Ra" |
Hyperallergic, 18 April 2021 |
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Review, Dawoud Bey: An American Project |
Burnaway, 20 January 2021 |
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Review, Faysal Altunbozar: Teaching a perv how to eat honeysuckle |
Frieze 215, November/December 2020 |
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Review, Anna Horvath: precarious dazzle |
The Brooklyn Rail, 11 November 2020. Print. |
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Review, Liz Deschenes: (Rates) Frames Per Second |
Photograph, November 2020. Print. |
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"Ross Hansen's Objects Span the Playful to the Grotesque" |
Metropolis, 22 October 2020 |
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Review, Nick Raffel: plenum |
The Brooklyn Rail, 7 May 2020. Print. |
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Review, "Finding a Home in the Layered Abstractions of Julia Fish" |
Frieze 210, April 2020. Print. |
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Selections for Hyperallergic's Best of 2019 |
Hyperallergic, December 2019 |
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Review, LaToya Ruby Frazier: The Last Cruze |
The Brooklyn Rail, 4 March 2020. Print. |
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Review, David Hartt: The Histories (Le Mancenillier) |
The Brooklyn Rail, 6 November 2019. Print. |
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Review, "The Beautiful Peculiarity of Leidy Churchman's Paintings" |
Hyperallergic, 2 October 2019 |
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"Francis Kere Designs a New Pavilion for Montana's Tippet Rise Art Center" |
Metropolis, 19 July 2019. Print. |
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Review, 2019 Whitney Biennial |
The Brooklyn Rail, 5 June 2019. Print. |
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Review, Cayetano Ferrer: "Fragmented Sculptures Evoke the Gaps of Memory" |
Hyperallergic, 24 April 2019 |
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Review, The Lure of the Dark: Contemporary Painters Conjure the Night |
The Brooklyn Rail, 14 February 2019. Print. |
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Review, Cameron Rowland: D37 |
The Brooklyn Rail, 5 February 2019. Print. |
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Review, "The Poetry of Eileen Myles's Intimate, Imperfect Instagram Photos" |
Hyperallergic, 8 January 2019 |
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Selections for Hyperallergic's Best of 2018 (Torkwase Dyson) |
Hyperallergic, December 2018 |
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Review, The Menil Collection Reinstallation: |
The Brooklyn Rail, 20 December 2018. Print. |
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Review, "Jack Whitten's Deeply Personal Portraits and Paintings" |
Hyperallergic, 5 September 2018 |
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Review, Vincent Fecteau |
The Brooklyn Rail, 4 September 2018. Print. |
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"Awe-Inspiring Portraits of Chicano Men that Resist Typecasting" (on Harry Gamboa Jr.'s Chicano Male Unbonded series) |
Hyperallergic, 31 July 2018 |
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Review, Rafa Esparza: "LA Artists and Nightlife Personalities Make Garments that Sparkle with Ingenuity" |
Hyperallergic, 10 July 2018 |
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Review, "Zoe Leonard Transcends Time at the Whitney Museum" |
Hyperallergic, 7 May 2018 |
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Review, "Robert Gober's Willful Revision" |
Aperture, 21 February 2018 |
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Review, "How the Nebulous Internet has Influenced Art Since 1989" |
Hyperallergic, 26 April 2018 |
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"Getting Comfortable with Sexy and Silly Art" |
Hyperallergic, 27 September 2017 |
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"Meandering Through MASS MoCA's Vast Expansion" |
Hyperallergic, 6 June 2017 |
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Review, "A Steve McQueen Video Ponders the Vulnerability of a Young Man's Life" |
Hyperallergic, 17 May 2017 |
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Review, "In Paintings and Ceramics, Theaster Gates Salvages Charged Materials" |
Hyperallergic, 6 February 2017 |
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Review, "Nick Cave's 'Until' startles to provoke change" |
The Williams Record, 9 November 2016. Print. |
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Review, "'Your smarter than me' poses questions at WCMA" |
The Williams Record, 7 October 2015. Print. |
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